I Have Missed This

Many, many times over the past years I have said to myself, “I’m going to go back to writing.” And all of those times other things came up. Family, work, computer projects, moving, jobs, friends, etc, so many other things that were, naturally, more important than this silly thing.

But I didn’t stop thinking about it. My old hosting expired and I didn’t do anything about it. Someone bought my old domain (what an asshole!) and I can get it back for a princely sum, apparently. But ha, I am smarter than that! I will get A COMPLETELY DIFFERENT DOMAIN that has a COMPLETELY DIFFERENT NAME!

As you can see, it’s not much different than the old one. Just minus one letter. If that’s what keeps me from having to fork over $4500 (yes, that’s the amount the domain overlords want for it) then they can keep it.

But so much has happened since I left.

A tyrant was in power when I left, and a tyrant is in power again. And he’s more of an asshole this time than last time.

So much has happened, and my brain has been on pause. Between everything (mentioned in the first paragraph) and politics (it’d be nice to go an entire day without having someone’s name or voice shoved at me), I’ve got other thoughts.

To quote the late great Rob Reiner –

But hey, enough of my yakkin’, what ya say, let’s boogie!

Boba Fett is a Terrible Bounty Hunter

Boba Fett, for all of his cool street cred and name recognition and raspy voice and supposed toughness, is just not very good at his chosen profession. Bounty hunters have to go after the worst of the worst, they’re basically mercenary police officers, and those kind of people have to have something about them that screams, “Look, dude, don’t mess with me, because I am so much more of a bad dude than you are.” Boba Fett has that vibe, that je ne sais quoi that projects intimidation, when, in fact, he is anything but a professional. He is, in fact, the clumsiest luckiest SOB in the whole Star Wars universe.

I’m basing this solely off of the original Star Wars films that Mr. Fett appears in and not any of the expanded universe, expanded editions or prequel stuff that came later. If you read books or watch cartoons based on the expanded universe you learn more about Boba Fett, and how he really is a totally bad dude who can survive falling into the stomach of the Sarlacc, but I’m not focusing on that, because diving into the expanded universe is a never-ending slogfest of links and other characters whose names you don’t know. I’ll be focusing only on the parts of the original trilogy where Boba Fett appears or does something, nothing more.

The first time we see Boba is in The Empire Strikes Back, awaiting orders along with a group of other bounty hunters from Darth Vader. Like Wesley from The Princess Bride, he mutters, “As you wish.” He then looks menacing while standing next to IG-88, a walking coffee maker.

The next time we see him he’s floating away in the garbage cloud that the Millennium Falcon used to escape from the Star Destroyers chasing them in the asteroid field. How did he get his ship, Slave I, into the garbage cloud? It’s not explained, but he follows, heroically pushing some buttons that make his ship’s engines turn on. Also, this is the only scene where we see Boba’s little optometrist scope being used. 1

When our heroes get to Cloud City on Bespin, sneaky Boba appears next after Vader has disarmed Han Solo, sidling up next to Darth Vader while Stormtroopers point their blasters at Han, Leia and Chewbacca. He has literally done nothing but follow the Falcon to Bespin, and now he’s standing next to the most powerful Sith lord there is. This tells you that he’s a very tough, quiet individual! Later, after Han is being tortured for fun, Boba tells Vader that Han is “no good to (him) dead.” He then traipses around, holding his rifle while Lando Calrissian prostrates himself before Vader. After that it’s off to the carbon freezing chamber where he once again complains about needing Han alive. He then points his rifle at Chewbacca, who could rip Boba’s arms out of their sockets without even trying. Once again, he’s one tough dude, showing you what he’s made of. After Luke arrives on Cloud City, he shoots at Luke, then runs away like a scaredy cat, then tells a Bespin guard to put Han on board his ship before flying off to Tatooine.

On Tatooine, he comes across in an almost civil fashion when he acknowledges the bargaining prowess of Boushh (Leia), after the “bounty hunter” secures 50000 credits for handing Chewbacca over to Jabba the Hutt. Repeating his placement on Bespin, Boba stands (once again) behind a powerful individual (Jabba the Hutt) while said powerful individual talks to someone (Luke). But all of the supposed toughness and bravado come crashing down on him when Boba ignites his jet pack and flies into battle to recapture Luke, Han and Chewbacca on the desert skiff, only to have Luke slice his blaster in half. He performs the ultimate wimp out move by lassoing Luke (lame!) and getting hit in the jet pack by a blind Han. As his jet pack once again ignites, rocketing him across the desert expanse, he cries out, slams into the side of Jabba’s sail barge, and then plummets to his death in the stomach of the Sarlacc monster.

Why is this man revered? I’ll admit, his outfit is cool, he carries himself with a Harry Calahan-like confidence and speaks only when it’s necessary. He seems like a tough dude, but I think that lying beneath that mask is the face and eyes of someone who knows they’re hiding their fear from everyone and realizing that, deep down, Fett is a charlatan who has to keep up the act before someone finds out that he’s really only good enough to be Sarlacc food.

The song “Bells” from “Christmas In The Stars” Proves that Earth Exists in the Star Wars Universe

Even though it existed long ago in a galaxy far, far away, the characters of Star Wars appear to know who Albert Einstein was, the proof being the song “Bells” from the 1980 album “Christmas in the Stars: Star Wars Christmas Album”.1 The plot:

C-3PO and R2-D2 have been chatting previously about Christmas (from track one, ‘Christmas in the Stars’) and their talk turns to a sound that R2-D2 hasn’t heard before.

R2-D2 beeps and boops.

What is that? That my silly friend, is the sound of bells.”
R2-D2 speak
“What are bells?”

For shame! C-3PO proceeds to berate R2-D2:

I cannot believe the question
It’s like, “what is indigestion?”
Not that bells and indigestion are the same.

I cannot believe the query
That you ask, “what is Einstein’s theory?”
Compared to “what are bells?” seems almost tame.

R2-D2 beeps and boops.

What is indigestion? Who is Einstein?
Before you ask me, “Who is H.G. Wells?”
I will help your education with a simple explanation of bells.

So now we’ve thrown human digestive problems, one of the greatest minds of the 20th Century, and a British science fiction writer born in the 19th century into the mix.

Bells bells bells
The thing they do is ring!
Bells bells bells
What happy thoughts they bring!
Bells of every kind and sort, bells that play and bells for sport, chiming what the hour is now, or they’ll lead you to a cow!

Cows?

Bells bells bells
Make such a merry sound!
Bells bells bells
When Christmas comes around!
Bells when snow begins to fall, bells when friends begins to call!
Bells when love is in your heart, bells when Christmas carols start!
In each and every man, where peaceful harmony dwells
You will hear loud and clear the thunderous wondrous sound of bells!

Bells bells bells
They’re tiny and they’re small!
Bells bells bells
Are also ten feet tall!
Bells that sparkle in your eyes, every color every size
Speaking languages with ease
In a breeze they’re Japanese!

Japanese? Again, really?

The song goes on from there, but the meat of the topic posited above is that C-3PO has now mentioned Albert Einstein, H.G. Wells, cows and Japan. And don’t forget the Judeo-Christian implications of a Star Wars Universe character knowing about Christmas. Later in the album Santa Claus is mentioned, as well as one of his sons, S. Claus. We never learn S.’s first name, except that it starts with an ‘s’.

We can only assume that this will eventually play into Star Wars: Episode VII, where we finally have the Millennium Falcon chased by the remnants of the Empire to Earth. Get ready!

Art Garfunkel

I’ve always felt sorry for Art Garfunkel because its always felt like he’s gotten a raw deal from the music world. While Paul Simon has basked in the limelight for decades, poor Art could probably walk down the street and go completely unnoticed by the majority of Americans. On further examination though you see that he’s lived the typical rock star life, with both ups and downs.

He teams up with his friend from childhood, Paul Simon, and made their first record that went nowhere. So he and Simon broke up, Simon moved to the U.K., and while he was overseas some stations started playing a song, “The Sounds of Silence”, off of their first album, but instead of the way that they’d written it their producer took Bob Dylan’s band and overdubbed it with electric guitars. “The Sounds of Silence” went to #1.

So to capitalize on their success Simon came back to the U.S. and they toured and made a lot of money but it all came crashing down when Garfunkel’s solo efforts (Simon also was doing solo material) didn’t chart as high as Simon’s and he started to drop out of the spotlight. That was followed by more albums that failed to hardly chart and he dropped into fits of depression. Even after teaming back up with Simon he was mixed out of an album that was supposed to be jointly released by the two of them (Simon’s Hearts and Bones) and before long he was scraping for what seemed like Simon’s table scraps.

The worst part about his whole musical career? He never wrote any of the songs he and Paul Simon sang together; he was just a singer, a good one, but not a songwriter. It wasn’t until 2003 that he released his first album of songs that he wrote (Everything Waits to Be Noticed).

He’s tried acting, poetry and he’s gone through the suicides of several people close to him. Probably in spite of all of what’s happened to him we ought to call him a semi-failed Renaissance man, albeit a semi-failed Renaissance man whose made a truckloads of money.

So Art, after all these years I salute you. You’ve never given up. Keep on truckin’.

The Blue’s Clues Ability to Skidoo Could Have Astounding Military Applications

On almost every single episode of Blue’s Clues the human character (either Joe or Steve, or in the UK, Kevin) and the dog Blue “skidoo” somewhere, which is an amazingly simple form of teleporting (transporting oneself from one place to another instantly), whether onto the surface of a globe or into the image on a picture or a computer game or into a diorama, but it always involves our human protagonist and Blue being transported to somewhere else that moments ago they weren’t. It seems that other characters on the show can also skidoo, like Mr. Salt when he needs to go to the grocery store.

And skidooing is an important plot point to the show, because while on their skidoo adventures the characters learn things and get to play and also may find a Blue’s Clue, which is  great and all, but you wanna know who else could really use skidooing, especially in these trying economic times?

The military. Could totally help them out.

On top of all of the budget cutting that could be done, getting rid of transport planes/ships that are no longer required, there’s the instantaneous benefits of such a power. Does the president need to insert a highly skilled team of Navy SEALs into Tehran RIGHT NOW to take out Mahmoud Ahmadinejad before he does something else crazy? Done! Does South Korea want to finally finish the Korean War once and for all and skidoo into Pyongyang and take on the entire populace of North Korea before they can completely mobilize? It’s doable. Anything could be doable, as long as we have a picture of where we need to put our military and our boys could remember those easy to recite words – “Blue skidoo, we can to.” Maybe end it with a “Sir, yes sir,” too.

If Robert Oppenheimer had been working on a secret skidoo project instead of the Manhattan Project our boys could have ended WWII early and gotten to Berlin even before the Russian army was thinking about moving westward from Stalingrad and we never would have had to invade North Africa or Italy or obliterate the Atlantic Wall. And LBJ could have won the Vietnam War, probably, if we’d been able to skidoo into Hanoi and convince Ho Chi Minh that we really did want him to be in favor of democracy. He (LBJ)  might even have decided to run for reelection and change the course of history.

The major drawback is that our people need a picture on the other end of the skidoo to return the same way. If they lose that picture…well, Mr. Secretary of Defense, order a new transport, since we got rid of them after the budget cuts allowed through skidooing. Enjoy hitchhiking home, soldiers!

But we could get rid of Air Force One, also, just keep that little blue dog with the President whenever he goes on the road.

I think Blue would have to remain non-partisan though. Can’t be favoring one political party over another. He’d also have to have a code name.

Anyway, just an idea. A completely cool idea, but just an idea.

The Creative Mind of George Lucas Divines a New Star Wars Character

The Place: Sky­walker Ranch.
The Sit­u­a­tion: A cre­ative meet­ing is tak­ing place to cre­ate a new Star Wars char­ac­ter who will be the focus of a new live action tele­vi­sion series that takes place between The Empire Strikes Back and The Return of the Jedi.Major brain­storm­ing is going on.
The Peo­ple: Present are George Lucas and the Lucas­Film data­bank keeper.

Data­bank Keeper — “Okay, so what have we got so far?“
George Lucas — “Noth­ing. We have noth­ing.“
DK — “Alright…what is it? Human, crea­ture of some sort.…something…“
GL — “Not human. We have enough humans. Make it a crea­ture.“
DK — “Sen­tient or not?“
GL — “Def­i­nitely sen­tient.“
DK — “Wise or not?“
GL — “Wise? Like Yoda?“
DK — “Yeah.“
GL –  “Hmm…not so wise. Just nor­mal.“
DK — “Okay, a nor­mal crea­ture. What does it look like?“
GL — “Furry. Tall and furry.“
DK — “Like a Wook­iee?“
GL — “Okay…no, make it short.“
DK — “Like an Ewok?“
GL — *Sigh* “Scratch furry. Make it scaly. And green.“
DK — “Like Greedo?“
GL — “…Okay. Scaly, green, big beaver teeth.“
DK — “Like Wal­rus Man?“
GL — “Why is this so hard?“
DK — “I don’t know. You thought this stuff up.“
GL — “Short. Pigish…creature.“
DK — “Like an Ugnaught?“
*George hits his fist on the desk — repeat­edly*
GL — “Okay, not scaly and green. Scaly and…orange.“
DK — “…Orange is good.“
GL — “Yes, orange is good. Don’t have many orange crea­tures.“
DK — “What do we call the orange creature’s species?“
GL — “How about a…Rith.“
DK — “No can do. Too close to ‘Bith’. And ‘Sith’.“
GL — “Toy­nar­ian! Vim­ban­ite! Morax! Any­thing!“
DK — “Toy­dar­ian, Mim­ban­ite, Gorax. Already done.“
GL — “Okay…Flangian.“
DK — “Flan­gian?“
GL — “Yes. A Flan­gian. He will be a Flan­gian.“
DK — “Where did you come up with that?“
GL — “I just…cre­ated…it.“
DK — “Fine. What’s the Flangian’s back­story?“
*Silence for 5 min­utes*
GL — “The Flan­gian was recruited by crim­i­nal ele­ments on his home world, Flan­gia, and even­tu­ally grew up on a crime boss’ ship, the Bardo’s Luck. He even­tu­ally bought his free­dom from the crime boss and joined went to the Impe­r­ial Acad­emy. He was a good pilot but he got kicked out for…some reason…so he got back into crime and smuggled…things…around the galaxy. And then for…some reason…he got caught up in the Rebel­lion.“
DK — “…That’s Han Solo.“
GL — “YYYYYYYAAAAAAAARRRRRRRRRGGGGGGHHHHHHHHH!!!!!!!!!!!!!“
He breaks a tech­ni­cal Oscar against the wall.

DK — “You know this isn’t easy, George! Remem­ber how long it took you to come up with Yoda?“
GL — “Jar Jar was so much sim­pler.“
DK — “Yeah, but the whole ‘race’ thing with him…“
GL — “Yeah, that sucked.“
DK — “Yeah.“
GL — “Okay…he grew up privledged, but then was sent to a farm when his par­ents died. He moved to a swamp planet and then after being hunted down by Dark Jedi he fled there to go live with…Ewoks or some­thing. And his best friend, he’s a Jedi too, and so his friend and he love the same girl but finally have a duel on a space plat­form -“
DK — “…You’re kidding…right?“
GL — “…What?“
DK — “That’s like every­body you’ve ever cre­ated in the whole saga, main-character-wise.“
GL — “Hey, who came up with this? Me? Yes, me! I’m detect­ing a more crit­i­cal tone than usual, so don’t screw with me! Mak­ing this stuff up is hard!“
DK — “Well exsqueeze me.“
GL — “Shut up, Jar Jar.“
DK — “Okay, easy one. What’s his name?“
GL — “How about…Fluke Bolo?“
DK — “Or Gorge Mucus? Come on, man! Are you kid­ding? Are you really out of ideas? Come on, man!“
*George hangs his head*
DK — “What should we call our scaly orange Flan­gian? I don’t know. Just say what­ever pops into your head. That’ll be his name.“
GL — “Bill.“
DK — “Bill?“
GL — “That’s the first thing that popped into my head.“
*George twid­dles his thumbs*
GL — “Okay, we can work with…Bill.”

When Christmas Carols Go Wrong

I was out at the mall today buy­ing some stuff and and heard Bing Crosby singing “We Wish You a Merry Christ­mas” over the inter­com speak­ers and, being in a good mood that I was, lis­tened very closely to the lyrics. If you take them lit­er­ally the lyrics make the singer sound like a tool. There isn’t any men­tion of ‘please’ at all. Think of it this way — car­ol­ers are singing out­side of someone’s house.…

“We wish you a Merry Christ­mas;
We wish you a Merry Christ­mas;
We wish you a Merry Christ­mas and a Happy New Year!”

“Wow, thanks guys. Merry Christ­mas to you too.”

“Now bring us some figgy pudding.”

“Okay, have a good night. Stay warm!”

“No, bring us some figgy pudding.”

“Figgy pud­ding?”

“Yes. Figgy pud­ding. Now. We won’t go until we get some.”

“Stop it. Leave.”

“No.”

“I don’t have any figgy pud­ding. What is figgy pudding?”

“We won’t go until we get some.”

“Why?”

“Because. We love figgy pudding.”

“I DON’T HAVE ANY FIGGY PUDDING.”

“What the — dude? We car­oled for you. Now bring us some figgy pud­ding. Bring some right here.”

“Get it your­self. I don’t have any figgy pudding.”

“We won’t go until we get some.”

“Peo­ple, leave! Now! No figgy pud­ding here! Not going to be any either!”

“We’re not leaving.”

“Get out of here! I don’t have any figgy pudding.”

“Ok, bring us a figgy pud­ding and a cup of good cheer then.”

“Dude, I’m going to show you some good cheer in a few min­utes. Let me get my .12 gauge of good cheer for you.”

A Post About How ‘Lost’ Does This Stupid Repetitive Dialogue Cliche

I love ‘Lost’. This cur­rent sea­son is so great I would marry it if I wasn’t already married.

But I’ve noticed that ‘Lost’, which is prob­a­bly one of the best shows cur­rently on tele­vi­sion, keeps doing this stu­pid stu­pid dia­logue con­ven­tion over and over and over until you could make a drink­ing game out of it. Maybe you haven’t noticed it, but that’s my job, to notice the mun­dane and pointless.

It goes like this — two peo­ple are going some­where on the island, doesn’t mat­ter where, but they are alone, walk­ing, or eat­ing some­thing, or lis­ten­ing to a record, and one of them will sud­denly say a seem­ing non sequitor, the other will be con­fused, reply, “What?” or some­thing like that, and the other per­son will explain. In an episode a cou­ple of weeks ago they did it not once but three times in one episode. Like I said, you could have a drink­ing game.

So this is the way I would write it if I were writ­ing the show –

Locke and Sawyer are trudg­ing through the jun­gle, not a care in the world about Oth­ers or Smokey or Chris­t­ian pop­ping out or any­thing, just trudg­ing through the jun­gle. They haven’t spo­ken in some time.

LOCKE — “Five.“
SAWYER — Looks around con­fused, focus­ing on LOCKE. “What’d you say?“
LOCKE — “Five. I said five, James.“
SAWYER — Still con­fused. “…Five what?“
LOCKE — Now con­fused too. “…Uh…you know, about what you said ear­lier. There are five. Five.“
SAWYER — Now look­ing peeved. “I have no idea what you’re talk­ing about.“
LOCKE — Spread­ing his hands, ever the teacher. “About…2 hours ago we were talk­ing about…you know, that thing we were talking…about.“
SAWYER — “John, I have no idea what you’re talk­ing about. I don’t know what “five” means.“
LOCKE — Now very con­fused. “You don’t?“
SAWYER — “…No.“
There is a long silence as Locke looks at Sawyer. He is very con­fused now, to say the least, and try­ing to fig­ure out what “five” refers to.
LOCKE — “Hmm…I don’t know what “five” means either.“
Sawyer smirks. “Nice one.” He begins trudg­ing again.
Locke stands in the jun­gle, then fol­lows Sawyer. “I’ll think of what it means in a minute!“
SAWYER — “Sure you will, Sherlock.”

He heads off into the jun­gle. Locke quizzi­cally follows.

It would be funny. And then maybe the ‘Lost’ writ­ers wouldn’t do it anymore.

My Youngest is Obsessed With Mailboxes

When Pey­ton and I go out for walks around the neigh­bor­hood (which has become more and more fre­quent since I’ve started work­ing from home) he notices lots of things. He likes to talk to Twister, the horse that lives across the street, and he likes to yell, “RUN!” and then run, and he likes to play with leaves. His great­est obses­sion though started prob­a­bly a year ago, while watch­ing “Blues Clues”.

Pey­ton really grew to love the show. I like it too, as any­one who has read this blog before can attest to, and I’ve got my favorite char­ac­ters on the show, but Peyton’s has become Mail­box, who shows up rarely more than once a show after Steve/Joe have sang their mail song and always deliv­ers “a let­ter from our friends”. Mail­box wants to be a standup come­dian some­day but he’s rooted in place in the front yard, so it will prob­a­bly be hard for him to travel.

But Pey­ton loves the guy (or girl, it’s hard to dis­tin­guish, since his voice has a strange tim­ber to it) and always sings along to the mail-retrieving songs that Steve/Joe sings. And this love has trans­lated into our every­day lives as well now. So while we’re out Pey­ton will now want to look inside of the mail­box when we leave on our walk and also on our return to the house. And he likes the van­ity mail­boxes, like the mail­box that looks like a dog at the end of the street or the stone one that has vines grow­ing on it. But he loves all of them pretty equally.

So the next time if we show up at your house with Pey­ton and he has a pile of your mail in his hands, you’ll know why.

Why I Would be a Super Villain

I love Bat­man. Always have. Always will.

I sucked it up and watched all but one of the 80’s/90’s Bat­man movies Bat­man & Robin. (Why any­one would look at that and think it was good is just crazy) and used to col­lect the comic books off and on, watched the crummy 60’s TV show in reruns when I was a kid, so don’t even try and not call me a Bat­man lover. Not in a Batman/Robin…you know…well…not-that-there’s-anything-wrong-with-that kind of way, but I’ve always enjoyed Bat­man. Bruce Wayne went from wimpy kid one minute to crazed future vig­i­lante in the next with the death of his par­ents. He donned the cape, the mask, he became what crim­i­nals would fear, and he ruled, which was the best part.

Superman…yeah, he’s alright, but Bat­man was a nor­mal per­son wail­ing on some­body. You could feel your blood pump and the adren­a­line go up as he started in on, as the Fan­tas­tic Four’s Thing would say, “clob­berin’ time.”

Bat­man never really cared much about the con­se­quences of his actions like Super­man did. Clark was always the fine upstand­ing man that he was raised to be and was sup­posed to be. He was good and kind and saw the world in black and white. But the world has never been black and white, sure there are good guys and bad guys, but some­times the bad guys are on your side fight­ing for your inter­ests The CIA in the 80’s try­ing to get rid of the com­mu­nist San­danistas in Cen­tral Amer­ica, for instance and some­times they’re not. Al Queda Some­times they’re out for world dom­i­na­tion and other times they just want money or power or some­thing that makes them look sexy in the eyes of oth­ers. And it’s those rea­sons that would make me want to be a super vil­lain. But not just your nor­mal run-of-the-mill vanilla super vil­lain. No sir. I’m look­ing to be unique, if possible.

Good guys always have to look out for the inno­cent bystanders and are racked with guilt if they cause an inno­cent life to be extin­guished in the process of sav­ing oth­ers. Look at the fight between Spi­der­man and Green Gob­lin towards the end of the first Spi­der­man movie I’ve read that Warner Bros, the stu­dio that puts out the Super­man films, is think­ing of tak­ing a hint from the Cristo­pher Nolan lead Bat­man films and that they might reboot the Super­man series in a darker light. What are they think­ing? Super­man is sunny, Bat­man is dark. Is Super­man not going to care what he does? He’s the son of Kryp­ton sent to Earth to be this planet’s pro­tec­tor, not some gray-area hero.

Which is why it would be cool to be a supervil­lain. You just wouldn’t have to care. Your whole rea­son for liv­ing is to gain street cred, or cash, or babes, or some­thing intan­gi­ble that makes up for that hor­rific time in your life that made you that evil bas­tard that you became. And it would be fun because tak­ing out your aggres­sion is fun, even if it’s a plane­load of peo­ple you’ve never met before, sure, one of them did some­thing that they deserve a huge pound­ing for. Heat vision to the wing of the plane, that’s the way to do it.

I’d drive a cool car and live in some fore­bod­ing super-fortress in the Himalayas and have a legion of war­riors at my beck and call and have min­ions, evil min­ions, that would do what­ever I com­manded. They’d prob­a­bly be nin­jas. Or some rogue para­mil­i­tary out­fit that I have on my pay­roll. I’d be friends with dic­ta­tors and inter­na­tional crim­i­nals and I’d nat­u­rally flaunt it in pub­lic, because what’s the fun in being a supervil­lain if you can’t rub it in the face of the peo­ple that you call your mor­tal enemies?

And I’d have to be best friends with my mor­tal enemy too, just like Mag­neto and Charles Xavier. I don’t know any­body who is bald and needs a wheel chair, but I’m evil. I’ll put some­one in a wheel­chair and then shave his head or some­thing. And after I’ve been caught and put in some fool­proof prison where only the hard­est of the hard vil­lains reside and my best friend comes and vis­its me we’ll rem­i­nis­cence about the old days and I’ll make allu­sions like I’m plan­ning to escape and he’ll threaten me in veiled terms and we’ll glare at each other and then we’ll laugh as I block his king with my knight in the game of chess we’ve been play­ing and I breathily whis­per, “Checkmate.”

Now that’s a heck of a career right there.

The Man With the Yellow Hat is a Very Peculiar Man

My old­est son loves him some Curi­ous George. The books, the show (on PBS) and even the toys, but he wouldn’t buy one of those toys because it’s not a super­hero or a Planet Hero, but if those didn’t exist he prob­a­bly would buy some Curi­ous George toys.

He and I read Curi­ous George books prob­a­bly twice a week thanks to the library. Curi­ous George Goes to a Restau­rant. Curi­ous George Plays Base­ball. Curi­ous George Flies a Kite. Curi­ous George is Bored. Things like that. You know the drill.

And no one in this coun­try or world would know about Curi­ous George if it wasn’t for his ubiq­ui­tous friend, the Man With the Yel­low Hat (MYWH for those in the know). He has no name, no his­tory, he just exists as the Man With the Yel­low Hat. We do know a few things about him though. He is an explorer, as we know from the first Curi­ous George book. He also appears to be wealthy, hav­ing an apart­ment in “the city” and a house in “the coun­try” and because if this he is a man of leisure. There are no real world loca­tions in Curi­ous George, but one can assume that given the his­tory of his cre­ators, the hus­band and wife team of H.A. and Mar­gret Rey, who fled Nazi Ger­many to even­tu­ally live in New York City, that New York is “the city”, but I’m com­pletely and totally get­ting off topic.

The Man With the Yel­low Hat is ALWAYS wear­ing yel­low. He never wears blue. He never wears red. He never wears black. Only yel­low. And it can only be yel­low or else part of his per­sona and psy­che is gone, like a war vet­eran who lost a limb that can still feel it itch­ing when he gets back to “the world”. This weird char­ac­ter trait would make it dif­fi­cult for a nor­mal per­son to shop for clothes, but he does live in “the city”, so he prob­a­bly gets his clothes tailor-made at some hab­er­dasher, being a wealthy gen­tle­men and all.

And for the love of all that is holy, don’t lose his hat. Few things are worse than this sce­nario. As he said in one of the episodes of the Curi­ous George show, which I watch with my old­est, “With­out my hat, I’m just not…me.” No kid­ding, Man With the Yel­low Hat. Then you’re just “The Man”. A generic plot point in a children’s book. He. Is. Nothing.

The Man With the Yel­low Hat also seems strange just for the fact that he’s a strap­ping young guy in a city full of avail­able ogling females who lives with a mon­key. Not that there’s any­thing wrong with that! And he’s always leav­ing George by him­self, say­ing things like, “Now I’ve got to con­ve­niently go over here. Don’t get into trou­ble!” What does this moron think is going to hap­pen, George is going to just sit there? Every­body in the books calls the mon­key CURIOUS George. There is no “Mild-Mannered George” or “Dullard George”.

But all in all the Man With the Yel­low Hat seems to live a pretty cool life. He’s an explorer, he dri­ves a con­vert­ible, he flies a plane, he has a pet mon­key. My old­est would kill for that life.

The Underlying Sadness of “Harold and the Purple Crayon”

My old­est boy and I have been read­ing the 50th anniver­sary edi­tion of “Harold and the Pur­ple Crayon” by Crock­ett John­son for a cou­ple of nights now. It’s a nice hard­back col­lec­tion of four of the Harold sto­ries and Noah has been com­pletely enthralled by it. He’ll talk about Harold falling off of a moun­tain only to res­cue him­self by draw­ing a bal­loon so he won’t get hurt. Harold is a clever lit­tle boy who doesn’t for­get how to get out of trou­ble when he needs to and that makes the book fun and excit­ing and ingenious because the whole thing is Harold’s imag­i­na­tion and where it can take him.

But I started notic­ing some­thing as we were read­ing through the four sto­ries that make up the col­lec­tion — it’s only Harold. There are no other humans any­where in the book. I’m prob­a­bly read­ing too much into it, as I tend to do, but Harold is just all alone in a world of his cre­ation Much like Sci­en­tol­o­gist Tom Cruise. where no one else is. The sto­ries men­tion him look­ing for his home, and him draw­ing the chair that his mother would sit in when she read, and how he remem­bers where his bed is by gaug­ing where the moon is in his win­dow, but other than that Harold is never in a real world.

Now, it could just be that he’s dream­ing and you just never see him wake up, and that’s the more-than-likely answer to the whole thing, or it could be (and I’m just hypoth­e­siz­ing here, brain­storm­ing if you will)maybe Harold is crazy and trapped in his own mind and the pur­ple crayon is some sort of enabler for him to get out of his inner insan­ity, or maybe he’s been trans­ported into a “Twilight-Zone“y place of sight and sound but no dimen­sion other than 2-D and he only has a crayon to help him escape.…

I am read­ing way too much into it. My son likes the story. That’s enough.

An Open Letter to Colonel Saul Tigh

Dear Colonel Tigh,
Saul, we’ve known each other a long time at this point, you and I. I’ve been watch­ing you intently for three and a half years as you’ve wres­tled with the Ambrosia-drinkin’ and put-a-gun-to-your-head demons in your mind and you’ve failed more often than I know you’ve wanted to, but I’ll come right out and say it, Saul — you’ve always been my favorite on “Bat­tlestar Galac­tica”. Oth­ers may think that Adama is king or Star­buck is the coolest or Lee is too pretty for words and he gets all the lucky breaks, but for me it’s you, Saul. It’s your craggy ways, your hard livin’, hard drinkin’, always ready for a fight lifestyle, your eye patch, your abil­ity to sum up every sit­u­a­tion by curs­ing. For frak’s sake, you killed your own wife for col­lab­o­rat­ing with the enemy! You loved her and you poi­soned her and held her while she died! Yes, you did cry after­ward rather than drink and curse, but you killed some­one you loved! Do you think Roslin would, could ever do that? No. It’s one of the things that I love about you that just makes you, you.

After that first Cylon war years ago you were drift­ing, floun­der­ing here and there, drink­ing, get­ting into fights, until that one bar where you met Bill Adama and the two of you pledged to each other that no mat­ter what hap­pened the two of you were going to get back into the fleet. And you did. That took guts and guts you have, my brother.

You were crafted by war, Saul, and war needed you. When the Galac­tica had been hit by nuclear mis­siles dur­ing the ini­tial vol­leys of the Cylon War II, you had the hulls sealed off and then the air­locks opened to put out a fire that was threat­en­ing to take out the entire ship. In the process you shot many liv­ing peo­ple into space, but you saved the ship. You killed your crew­men but you did it for the greater good and it was a shin­ing moment in your dented and scarred career. Who else would have had the stones to do that? Few men, I tell you.

And when the war came again you found your place. You hated Cylons with a white-hot Tilium-burning pas­sion and that hate has got­ten you this far, but now you’ve come to a HUGE cross­road, my friend — you’ve dis­cov­ered, along with three other peo­ple on board the Galac­tica, that you’re Cylons. You’re part of the fabled Final Five which makes you spe­cial, very spe­cial. Sud­denly your life has tremen­dous mean­ing — you’re now more than just a man, you’re a sym­bol to some, a god to oth­ers. You’ve been killing Cylons for fifty years, from the first rebel­lion to the holo­caust of the human race to New Caprica, and now you find out you’re a Cylon? You your­self are one of the enemy? Well, that’s almost too much for an ordi­nary man to bear.

But damnit Saul, you’re no ordi­nary man! You’re Saul Tigh, the most rip-snortin’, butt-kickin’ Colonel, XO and one-time dic­ta­tor in the entire human race! Man up, son! Get your­self together!

Oh sure, it was soul cleans­ing when you told Adama that you were a Cylon. But what did you think he was going to do, kill you? Would that have made every­thing bet­ter? That would be too good, too easy for you. He handed you over to his son who almost killed you, but Bill never could kill his best friend. You think The Old Man could really have done that to some­one he loves almost as much as his own son? Never. I even had in my mind the way I thought you would go on the show but as the mid­point of sea­son four showed us it won’t hap­pen. Here it is though for you –

Adama knows you’re a Cylon. He’s in a rage, hold­ing you up against the bulk­head and has a gun to your chest.

ADAMA : You want abso­lu­tion, Saul?! What the frak did you think I was going to do? Kill you so you wouldn’t have to?

TIGH : No Bill. I couldn’t let you do that. It wouldn’t be right.

And then you shoot your­self in the head and as your body falls to the floor of the air­lock Bill bursts into tears as his best friend dies in his arms and he weeps over you because he knows that part of his soul is now gone and can never come back no mat­ter how many model ships or mir­rors he destroys.

It would have been an amaz­ing way for you to go and it would have sucker punched me in the stom­ach to watch you die. But you’re not dead yet, Saul. You have to keep going. The race isn’t over yet, brother. You said it your­self : you’re Saul Tigh, XO of the Bat­tlestar Galac­tica, and what­ever you were then, that’s the way you’re going to be until the day you die. That’s quite a mantra to live by Saul, given what’s hap­pened to you.

Toughen up, Saul. The worst may be yet to come. Good luck and gods’ speed, friend.